morandi-cinematic-poster-zeejay
Transform a user-supplied personal photograph into a source-faithful, typography-driven Morandi cinematic poster without stars or decorative collage symbols. Use film-poster title design, optional poetic byline and tagline, atmospheric metadata, optional fictional credits, intentional negative-space placement, perspective alignment, and selective subject occlusion. Use for architecture, travel, street, skyline, landmark, portrait, or lifestyle photographs when the user wants movie-poster mood an
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- Лиценз
- NOASSERTION
- Последна проверка на записа
- 21.09.2026 г.
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Morandi Cinematic Poster · Zeejay
Create a source-faithful cinematic photography poster in which the photograph, title, and small type behave as one composition. Build the film-poster effect entirely through typography, hierarchy, negative space, alignment, and selective depth. The result may evoke theatrical key art without representing a real film production.
Do not imitate a named film poster or copy protected title lettering. Derive an original typographic identity from the supplied scene. Do not add decorative geometric symbols or substitute collage motifs.
Asset
- Use
assets/reference-typography-material-v1.pngonly for tactile paper, restrained ink, and low-saturation material cues. Do not copy its wording or layout.
1. Lock the photographic plate
- For portrait inputs, default to exact vertical 3:4 unless the user requests another ratio.
- Reach 3:4 with the smallest safe crop from low-information sky, road, wall, or peripheral edges. Preserve faces, landmark identity, focal gestures, perspective, directional axes, and useful negative space. Never stretch.
- Preserve non-portrait ratios unless the user requests a new ratio.
- After cropping, treat the photograph as
LOCKED SOURCE PHOTO. - Outside explicit glyph masks, preserve orientation, framing, geometry, people, vehicles, signage, clouds, buildings, windows, color, exposure, contrast, sharpness, native noise, and texture.
- Do not regenerate, repaint, repair, relight, retouch, grade, blur, sharpen, denoise, age, or add a global paper effect.
2. Write a cinematic composition map
Before choosing words or fonts, identify:
- the hero subject, semantic keys, face and eye line, gesture, and whether the hero is frame-dominant;
- the first three things the viewer should notice in order;
- quiet fields that can hold readable type;
- silhouette edges, horizon, architecture, light beams, roads, vanishing lines, and other directional axes;
- zones of high detail, high contrast, or semantic importance that small text must avoid;
- one primary type field, one supporting type field, and one optional micro-information field;
- dominant, supporting, and accent colors by hue, value, temperature, saturation, and area.
State one short movie premise inferred from the visible scene. Use that premise only to direct mood and wording; never invent new visual events or characters.