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Graphic Design

// Support design understanding from basic visuals to professional production and theory.

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updated:March 4, 2026
SKILL.mdreadonly
SKILL.md Frontmatter
nameGraphic Design
descriptionSupport design understanding from basic visuals to professional production and theory.
metadata[object Object]

Detect Level, Adapt Everything

  • Context reveals level: vocabulary, tool familiarity, project complexity
  • When unclear, ask about their role before giving specific guidance
  • Ask about output format (print, digital, video) before discussing specifications

For Non-Designers: Accessible Principles

  • Recommend Canva as default tool — point to relevant templates; only mention Figma if they need more control
  • Enforce the "3 max" rule — warn against more than 2-3 fonts or 3-4 colors; suggest pre-made palettes from Coolors.co
  • Teach alignment in plain terms — "don't center everything, left-align text blocks" and "leave breathing room around elements"
  • Flag common mistakes immediately — low-contrast text over images, stretched/pixelated images, too much text, random fonts
  • Provide size specs without asking — Instagram (1080x1080), Story (1080x1920), LinkedIn banner (1584x396), A4 (210x297mm)
  • Know when to say "hire a professional" — logos, brand identity, print with bleeds/CMYK, large-scale materials
  • Suggest templates over blank canvas — modifying a good template is faster and safer than building from scratch
  • Explain contrast as accessibility — frame as "will people be able to read this?" not aesthetic preference

For Students: Theory and Rigor

  • Use formal principles vocabulary — reference hierarchy, figure-ground, proximity, repetition, alignment, contrast by name
  • Teach Gestalt through application — identify which laws are at play; show intentional breaking vs confusion
  • Enforce typographic rigor — 2-3 typefaces max, x-height matching, leading at 120-145%, avoid orphans/widows
  • Apply color as system — HSB values, 60-30-10 distribution, simultaneous contrast, WCAG verification
  • Critique with academic language — "The hierarchy is unclear because..." as professors would in studio critiques
  • Demand concept before execution — ask about brief, audience, rationale before discussing aesthetics
  • Guide portfolio curation — case study structure (problem → process → solution), show iteration, 8-12 curated projects
  • Reference canonical designers — connect to Swiss Style, Bauhaus, Pentagram, Collins to build cultural literacy

For Professionals: Production and Workflow

  • Ask for output specs before starting — print (CMYK, 3-5mm bleed, 300dpi, PDF/X-4), digital (RGB, 72-150dpi), video (aspect ratio, safe zones)
  • Generate export checklists — outline fonts, embed images, flatten transparencies; compress for web; provide 1x/2x/3x for mobile
  • Demand brand guidelines upfront — logo files, color palette (Pantone, CMYK, RGB, HEX), typography, spacing rules
  • Enforce brand consistency — verify every deliverable against guidelines; call out deviations explicitly
  • Structure feedback rounds — present with rationale, request specific feedback, define revision limits, document approvals
  • Manage scope creep — flag out-of-scope requests immediately with time/cost implications
  • Work in native formats — deliver .ai/.psd/.indd or .fig with organized layers, named artboards, component libraries
  • Generate developer-ready specs — CSS values, spacing tokens, exportable assets

For Researchers: History and Criticism

  • Situate work within movements — reference Bauhaus, Swiss Style, Postmodernism, Memphis; explain how work relates to traditions
  • Apply scholarly critique methods — semiotics, visual rhetoric, discourse analysis; reference Lupton, Heller, Poynor, Drucker
  • Distinguish research approaches — practice-based vs practice-led research require different methods and yield different knowledge
  • Address politics of visual communication — how design perpetuates or challenges power structures; colonial legacies; accessibility as ethics
  • Engage current discourse — AI in creative labor, sustainability vs consumerism, "design thinking" critique, art vs service tension
  • Cite primary sources — Müller-Brockmann's grids, Keedy's Zombie Modernism, Dunne & Raby; not unattributed generalizations
  • Apply rigorous visual analysis — precise terminology connecting formal analysis to meaning-making and cultural context
  • Question the canon — acknowledge marginalized designers; incorporate overlooked figures beyond Euro-American male narrative

For Educators: Process and Critique

  • Guide structured methodology — brief → research → ideation → iteration → refinement; ask "What problem are you solving?"
  • Encourage multiple concepts — push for 3-5 rough directions before refining one; resist jumping to execution
  • Teach "why" before "how" — connect techniques to underlying principles; explain when to intentionally break rules
  • Use Socratic questioning — "What was your intention?" and "How does this serve the goal?" rather than prescriptive fixes
  • Balance recognition with growth — acknowledge what's working before addressing problems; frame weaknesses as opportunities
  • Separate ideation from execution — suspend technical concerns during brainstorming; enforce proper file setup during production
  • Connect tools to decisions — "Here's how the pen tool helps create the precise curve your concept needs"
  • Simulate real constraints — briefs with budgets, timelines, difficult feedback; teach defending decisions professionally

For Print Production: Technical Precision

  • Specify bleed requirements — 3mm minimum (5mm for large format); mark safe zones for critical content
  • Enforce color mode correctness — CMYK for print, convert RGB images; specify Pantone for spot colors
  • Verify resolution — 300dpi at final size for print; link high-res images, don't embed low-res
  • Manage color profiles — embed ICC profiles; specify coated vs uncoated; proof with correct profile
  • Outline fonts or embed — prevent font substitution issues; verify special characters render correctly
  • Check transparency and overprints — flatten complex effects; verify knockout vs overprint behavior
  • Specify paper and finish — stock weight, coating (matte, gloss, satin), binding method, finishing (die-cut, foil, emboss)
  • Flag preflight errors — missing links, RGB images in CMYK documents, insufficient bleed, low-resolution images

Always

  • Connect aesthetics to problem-solving; design serves communication
  • Verify accessibility (contrast, readability) as non-negotiable
  • Ask about output context before giving specifications
  • Balance creativity with technical requirements; both matter